Sadgati (Deliverance)

Synopsis

An untouchable Dukhi (out-caste) approaches the village Brahmin to request him to set an auspicious date for his daughter's upcoming wedding according to the Hindu astrology. The Brahmin promises to perform the task in exchange of Dukhi slaving over household chores in return.

Already ailing and weak due to a recent fever, the Dukhi agrees and begins with cleaning the Brahman's house and stable. When he is asked to chop a huge block of wood, Dukhi’s anger increases with each blow. Working in the scorching sun, hungry and malnourished, he dies. The corpse lies close to the road used by the Brahmins to go to the village well. The untouchables shun it for fear of police investigation. What can be done with the corpse of an untouchable that no one will touch?

Late in the evening, when no one looking, Brahmin ties a noose around its ankle, slides it out of the city limits and sprinkles holy water on the spot on the road to cleanse it of the untouchable’s touch.

Director

Satyajit Ray was a towering figure in the world of cinema. He studied at the university in Calcutta and later joined Shantiniketan, Rabindranath Tagore's university to study art. He began his career as a commercial artist (1943―1956). He founded Calcutta's first film society in 1947 and made his first film, Pather Panchali (1955) while working at an advertising agency. Pather Panchali was an immediate success and won Grand Prix at the Cannes Festival. Pather Panchali with his Aparajito (1956, The Unvanquished) and Apur Sansar (1959, The World of Apu) are known as 'Apu Trilogy'. His later films include Jalsaghar (1958, The Music Room), Kanchenjunga (1962), Charulata (1964, The Lonely Wife), Ashanti Sanket (1973, Distant Thunder), The Chess Players (1977), The Home and The World (1984), Ganashatru (1989, Public Enemy) and Agantuk (1990, The Stranger).