Stones Slippers (Al Zannouba), 2013

Abdullah Al Saadi
Stone Slippers, 2013
Mixed media
Dimensions variable
Installation view

Overview

This exhibition focuses on a selection of works from Abdullah Al Saadi’s long history as an artist. Some of these projects, which he has just completed were works in progress for the past decade. Companionship is at the very centre of his long journey and has contributed to this exhibition in many ways.

From his donkey in Camar Cande’s Journey (2010―2011), to the animals in The Comparative Journey (2013), to his mother in My Mother’s Letters (1998-2013) and son in The Watermelon Series (2013) each of these companions has had a profound influence on these projects. His more fantastical works, like The Comparative Journey (2013) explore how the need for companionship can even lead to relationships with inanimate objects, such as stones, which represent the various animals that later became companions on yet another journey. The hardships of these travels reflected in the Stone Slippers (2013) and the diaristic accounts and drawings reflect the life of a gypsy or nomad continuously travelling and searching for something.

Artwork Images

The Comparative Journey, Ten Engraved Stones with Animal Figures

Abdullah Al Saadi
2013

Mixed media
Dimensions variable
Installation view

View all images
The Comparative Journey, Ten Engraved Stones with Animal Figures Image

The Comparative Journey, The Watermelon Series

Abdullah Al Saadi
2013

Acrylic on paper
Dimensions variable
Installation view

The Comparative Journey, The Watermelon Series Image

The Comparative Journey, The Watermelon Series

Abdullah Al Saadi
2013

Acrylic on paper
21 x 29.6 cm
Detail view

The Comparative Journey, The Watermelon Series Image

My Mother’s Letters

Abdullah Al Saadi
1998―2013

Various objects
Mixed media
Installation view

My Mother’s Letters Image

My Mother’s Letters

Abdullah Al Saadi
1998―2013

Various objects
Mixed media
Detail view

My Mother’s Letters Image

Camar Cande's Journey

Abdullah Al Saadi
2010―2011

Installation, video, 151 Water colour paintings
Dimensions variable
Detail view
Commissioned by Sharjah Art Foundation

Camar Cande's Journey Image

Camar Cande's Journey

Abdullah Al Saadi
2010―2011

Installation, video, 151 Water colour paintings
Dimensions variable
Installation view
Commissioned by Sharjah Art Foundation

Close images
Camar Cande's Journey Image
  • 2010―2011

    Camar Cande’s Journey chronicles a trek Abdullah
    Al Saadi
    took through the Northern region of the United
    Arab Emirates and Oman accompanied by his dog and
    donkey - which he named Camar Cande. During this
    trip, Al Saadi’s relationship with his companions played
    a significant role in helping him visualise, chronicle
    and define his spiritual connection to the earth and its
    elements.

    Al Saadi was inspired by the natural beauty of his
    surroundings and documents his experience with nature
    and landscapes through photographs, videos as well
    as watercolour paintings. The presence of his animals
    inspired the visual impressions of his surroundings with a
    kind of spirituality, that connected him to the land and its
    elements.

  • 1998―2013

    Abdullah Al Saadi's mother visited him often at his studio;
    each time he was not there she would leave a personal
    momento to announce her presence.
    Al Saadi’s mother could neither read nor write, yet
    her letters to him were full of symbolism and coded
    communication. Using stone, metal, tree sprigs and other
    items depending on the message she wished to convey and
    sealed with her scent and fingerprint, the bond between
    mother and son deepened through this very private form of
    correspondence. Al Saadi once wrote 'My mother maybe
    illiterate … but her messages are full of symbols, full of the
    magic of the ancient language of the Orient.'

    Since 1998 and throughout the years, the letters were
    organised and catalogued by the artist and formed the
    basis of his book titled My Mother’s Letters. The latter
    contains diaries and drawings, as well as a detailed
    explanation about the daily items from his mother.
    These items were classified chronologically according to
    size, quantity and type. In addition to that, Al Saadi kept a
    record of the time and the purpose of her visits.
    On 26 July, 2013, Abdullah Al Saadi’s mother passed
    away. In the book, the artist states: 'What my mother left
    to humanity is what should matter to any human being
    in terms of heritage or property; as it is a means of solid
    communication with the past based on cultural depth that
    is deeply rooted within history in all continents.'

Related

Abdullah Al Saadi: Al-Toubay

Al Saadi, Abdullah

Abdullah Al Saadi’s work ranges from painting, drawing and the creation of lengthy artists’ notebooks to the collection and systematic categorisation of found objects and the invention of new alphabets.