Artist Statement
Arabic calligraphy turns a phrase into an artwork by exploiting the expressive potential inherent in its forms. I choose the phrases that I use in my work based on their eloquence and their meaning. My sources range from ancient and modern poetry and prose to philosophy, Sufi teachings and holy books. I search for texts that inspire, uplift and invite questions about humanity.
After choosing the phrase, I practice in pencil, which allows me to reach the basic composition of the work. I then rewrite the phrase with a calligraphy pen, first adjusting each individual letter, then each word, then whole sentences. After I reach something that satisfies me structurally and visually, I enlarge the composition on paper, rearranging the diacritics in a way that adds visual rhythm to the work. At last, I execute the final version, resulting in a work that represents a contemporary evolution of a traditional, ancestral art form.
2013
This project was part of Sharjah Biennial 11
Artwork Images
17 Calligraphic works
Mouneer Al-Shaarani
2012
Ink on board
Dimensions variable
Installation view
Photo by Alfredo Rubio
Related
Al Shaarani, Mouneer
A student of Syrian master calligrapher Badawi Al Dirany, Mouneer Alshaarani has worked as a calligrapher and book designer since 1968 and has developed several Arabic typefaces.
March Meeting 2013: Towards a New Cultural Cartography
This publication takes as its starting point Yuko Hasegawa’s curatorial concept for Sharjah Biennial 11: Re:Emerge – Towards a New Cultural Cartography and March Meeting 2013.