Projects

In his practice, Lee Kit works with everyday materials such as fabric or cardboard to address ordinary daily rituals and the uses we give them.

AT THE RISK OF THE REAL (2015) expands on Cinthia Marcelle’s engagement with labour, industrial production and the reciprocity between art and daily life.

Eduardo Navarro is interested in social organisation and alternative intelligence and has worked with groups of people in spaces he creates to examine means of communication and thinking.

The practice of Adrián Villar Rojas is marked by large-scale, site-specific interventions that incorporate his fascinations with battling ecosystems, physical decay, unlikely rebirth and man’s interference in it all.

In her practice, Asunción Molinos Gordo questions the categories that define ‘innovation’ in mainstream discourses.

Talking Wall (2015) continues Damián Ortega’s long engagement with architecture, informal construction and systems of communication

To prepare for their participation in SB12, mixrice travelled to Sharjah with one of their longtime collaborators from Bangladesh, whom they met in Maseok, an industrial community outside of Seoul.

Papy Ebotani’s Fanfare funérailles [Funeral brass] (2014) explores a new type of funerary procession that has emerged in the urban centres of the Democratic Republic of Congo.

mixrice has worked with a community of migrant workers in Maseok, an industrial area outside of Seoul, since 2002.

Autoconstrucción, or ‘self-building’, is an ongoing body of work by Abraham Cruzvillegas that consists of structures in a constant state of construction, destruction, rebuilding and open-ended motion.

Souls’ Landscapes is a three-part performance conceived and performed by Uriel Barthélémi in collaboration with Entissar Al Hamdany, Joel Lokossou, Rigo 23 and Fabrice Taraud.

The work of Taro Shinoda often explores humans’ relationship to nature, science and engineering. Formally trained in traditional Japanese gardening from a young age.

Leonor Antunes’s work demonstrates her interest in the social, political and philosophical dimensions of craft.

Jawshing Arthur Liou creates video installations that employ digital technology to transform representation and reality.

Karesansui (2015) includes an engawa, or shaded wooden platform, which designates the ideal viewing point of the garden’s slowly expanding voids and offers a calm space of contemplation.