Overview
Through pencil drawings, hand-made diagrams and charts, the artist produced representations and mappings of financial fraud, schemes of tax evasion, money laundering, offshore banking and connections to governments’ foreign policy: the invisible and murky cartography of how power deploys systems of alliances and monopolies.
The complicity of western governments, political and economic elites and global corporations in illegal activities becomes visible as information is reconfigured, interlinked and isolated for the viewer to decipher and observe before drawing conclusions about the transparency of information in a questionably ‘borderless’ world culture.
April 2011
This project was part of Sharjah Biennial 10
Collection of the New Museum of Contemporary Art, New York, USA