Overview
Falling Rope was initially inspired by a 1907 photograph by Herbert Ponting of Shiraito (literally, 'falling string') Waterfall, in Fujinomiya, with Mount Fuji in the background.
In Mirza’s installation, footage of a nearby waterfall with larger streams (hence, 'falling rope') is projected onto the screen of a dismembered LCD monitor that sits on the floor; an upside-down speaker cone, shaped like a mountain peak, hangs adjacent. Three wall-based assemblages repeat the motif of falling. They also generate sound, which, along with the white noise of the waterfall’s gushing water, combine to form a rhythmic composition.
The doorway to the gallery housing the projection and the speaker cone is outlined in blue LED lights, framing the space much like Ponting’s original photograph.
This flattening of three-dimensional space into two dimensions also echoes the landscape murals that have historically adorned Japanese bathhouses, which often used water from natural hot springs. Waterfalls and mountains were seen as national symbols of beauty and cleanliness.
2013
This project was part of Sharjah Biennial 11
Project Images
Falling Rope
Haroon Mirza
2013
LED, LED controllers, LCD monitor, speakers, media player and cables
Dimensions variable
Installation view
Image courtesy of the Artist and SCAI THE BATHHOUSE
Related
Mirza, Haroon
Haroon Mirza’s work attempts to isolate the perceptual distinctions between noise, sound and music.
March Meeting 2013: Towards a New Cultural Cartography
This publication takes as its starting point Yuko Hasegawa’s curatorial concept for Sharjah Biennial 11: Re:Emerge – Towards a New Cultural Cartography and March Meeting 2013.