Overview
An elder of the Wangkajunga people and respected custodian of its women’s law, Eubena Nampitjin (1921–2013) utilised her knowledge of Aboriginal ceremonies to produce large-scale canvases that reflect the strength of her Aboriginal culture and community. The posthumous selection of Nampitjin’s paintings envision her community’s natural landscape through a complex series of dots that reflect the texture of her native land encompassing the remote Great Sandy Desert in Central Australia. Despite their bright tones, Nampitjin’s paintings document the unwritten histories of colonial encounters on a harsh and often violent frontier in which the artist and her family led a nomadic life and were displaced as a result of colonial developments.