Overview
The artistic output of Semsar Siahaan (1952–2005) showcases his deep engagement with Indonesia’s history and political legacies, his keen eye for social commentary and his front-line experience during a time of great national unrest. The selection of Siahaan’s paintings, produced between 1986 and 2003, gives viewers a sense of the artist’s dynamic range, his affinity for scathing political commentary as well as his exploration of identity and communality. Also on view is Racism (2001), a painting born of Siahaan’s years spent in Victoria, Canada. The work reflects not only the state of constant scrutiny he was under but also Siahaan’s attempts to acclimate to and draw inspiration from his surrounding environment.