The Tongue and Hunger. Stalin’s Silk Road (2022–2023)

Almagul Menlibayeva

The Map of Nomadizing Reimaginings
2022–2023
From ‘The Tongue and Hunger.
Stalin’s Silk Road’, 2022–2023
Tapestry
225 x 165 cm

The Tongue and Hunger / The Book Keepers
2022–2023
From ‘The Tongue and Hunger.
Stalin’s Silk Road’, 2022–2023
2-channel video
40 minutes
Credits: Ainash Mustoyapova, Nurlan Dulatbekov, Zauresh Saktaganova and Larisa Kharitonova (interviewees), The Karaganda University

The Tongue and Hunger. Stalin’s Silk Road
2022–2023
From ‘The Tongue and Hunger.
Stalin’s Silk Road’, 2022–2023
3-channel video
40 minutes
Credits: Leyla Mahabaeva (interviewee) and Aigerim Akkanat (performer)

Commissioned by Sharjah Art Foundation Courtesy of the artist

Overview

Drawing from Eurasian nomadic and Indigenous folklore, Almagul Menlibayeva’s work grapples with themes of displacement, ethnic erasure and environmental destruction under totalitarian rule in post-Soviet Central Asia. The multimedia installation The Tongue and Hunger. Stalin’s Silk Road (2022–2023) is inspired by the artist’s great-aunt Bopish, who integrated herself into the Soviet Union’s social system amid widespread deprivation, during the engineered Kazakh Famine of the early 1930s and the disappearance of her two children. The film Archipelago Karlag (2016) draws parallels between the centrality of the Gulag system to Soviet growth and the apparel industry under global capitalism, revealing how totalitarian regimes exploit labour.