Overview
Remi Kuforiji’s work explores the intersection of cartography, racial politics and coloniality. The narrative film essay, Water No Get Enemy: Counter-Cartographies of Diaspora (2023) relays the story of Wale, a British-born Nigerian navigating his fragmented understanding of Nigerian culture and history. After the 1956 discovery of oil in the Niger Delta, transnational corporations systematically partitioned the wetlands for private enterprise. Calling into question the ramifications of extractive architectural technologies, Kuforiji proposes a reorientation of our relationship to resource use, informed by Indigenous epistemologies and Kalabari masquerade, a traditional school of Nigerian performance.