Publication Details
Drift: An Exploration of Urban & Suburban Landscapes
Exhibition Guide
Paperback
66 pages, 17 visuals
18 x 12 cm
English and Arabic
Published by Sharjah Art Foundation, 2011
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Drift: An Exploration of Urban & Suburban Landscapes
Exhibition Guide
Paperback
66 pages, 17 visuals
18 x 12 cm
English and Arabic
Published by Sharjah Art Foundation, 2011
Curated by Sharjah Art Foundation Director Hoor Al Qasimi, this exhibition suggests new and imaginative ways of exploring and discovering the urban and suburban landscapes we encounter. All the works in the exhibition come from the Sharjah Art Foundation Collection. Participating artists include Hala Al Ani, Tarek Al Ghoussein, Kader Attia, Doug Henders, Bouchra Khalili, Hiroyuki Masuyama, Rika Noguchi, Hrair Sarkissian and Zineb Sedira. This publication accompanied the exhibition and includes a foreword from Al Qasimi, as well as descriptions and visuals of the works that were on view.
This exhibition suggests new and imaginative ways of exploring and discovering the urban and suburban landscapes we encounter in our daily lives.
Hoor Al Qasimi, President and Director of Sharjah Art Foundation, established the Foundation in 2009 as a catalyst and advocate for the arts in Sharjah, in the region and around the world.
Tarek Al Ghoussein has spent the past 10 years considering how performance, interventions and photographic methods can be used to explore what it means to be situated within a landscape.
Working in a wide range of media, Kader Attia reflects on the aesthetics of different cultures and the repercussions of Western cultural hegemony.
Henders’ military experience is the source of his cartographic painting style, which explores the ground between painting, photography and information in layered topographies
Bouchra Khalili’s videos and installations combine a conceptual approach with a documentary practice to explore issues of nomadism and clandestine existence, with the destiny of migrants being a specific focus.
The work of Hiroyuki Masuyama pays homage to the great nineteenth century landscape artists, reflecting the interrelation between time, space and medium in a distinct and compelling way.
Hrair Sarkissian’s photographs reflect on personal memories, using subjectivity as a way to navigate stories that official histories are unable to tell. Using traditional documentary techniques in large-scale works, he engages the viewer in a profound consideration of what lies behind the surface of the images, thereby re-evaluating larger historical or social narratives.
In video, photography, sculpture and installation, Zineb Sedira explores notions of gender, language, national identity and modernity.