Souls' Landscapes: Violence, magical superstructures & invisible guardians, 2015

Performers Entissar Al Hamdany and Fabrice Taraud
Performance view
Mirage City Cinema, Sharjah

Overview

A sonic composition reflecting on Frantz Fanon’s The Wretched of the Earth (1961), Souls' Landscapes incorporates music, movement, shadow and text and is spatialised in three distinct public venues, corresponding to each of its chapters.

The triptych structure of Barthélémi’s piece explores different sides of the performers’ perceptions of Fanon’s thought and allows for an abstract progression between each part. All three chapters explore distinct, thematically related rhythmical continuums or iterative ‘sound colours’ creating resonance between them while developing a nonlinear, subterranean structure. Solo electronic components are used in the first and second parts, while the third employs direct, radical switches between fragments of language, revealing consciousness through apparent chaos.

Related to the sea and the port, critical aspects of Sharjah’s history, the performance sites address how these have evolved over time and what it means to perform in proximity to them.


All SAF events are free and open to the public

Visuals

Souls' Landscapes: Violence, magical superstructures & invisible guardians

Uriel Barthélémi
2015

Performance view
Mirage City Cinema
Photo by Alfredo Rubio

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Souls' Landscapes: Violence, magical superstructures & invisible guardians

Uriel Barthélémi
2015

Performance view
Mirage City Cinema
Photo by Alfredo Rubio

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Souls’ Landscapes: Violence, magical superstructures & invisible guardians

WITHIN

Tarek Atoui conceived this programme as a sound composition of four interrelated movements that build up and feed back on each other.