Rich in historical references as well as traditional and modern motifs from both Eastern and Western art, Khadim Ali’s drawings and paintings tell stories about the loss of his own cultural heritage in Bamiyan, Afghanistan.

Caline Aoun works within the frames of urbanism, architecture, print and digital advertising space to produce pieces that playfully increase, invert and suspend environmental noise in a series of measured experiments.

Hannah Black is an artist and writer working across installation, video, performance and text.

Artist, writer and DJ Jace Clayton uses an interdisciplinary approach to investigate how memory, sound and public space interact.


Douglas Coupland is a writer and artist best known for his observations on modern-day North American culture.

Working in multiple mediums, Torkwase Dyson describes herself as a painter whose forms address the continuity of ecology, geography, infrastructure and architecture.

Léuli Eshrāghi’s performances, installations, writing and curatorial projects centre on embodied knowledges, ceremonial-political practices, language renewal and Indigenous futures throughout the Great Ocean.

Based on critical intimacy, permanent displacement and contextual transfers, Peter Friedl’s practice emphasises the friction between aesthetic and political awareness.

Meschac Gaba’s expansive practice examines architectural structures, systems of trade and perceptions of African identity and art.

An artist and performer, Nikolaus Gansterer links drawing, thinking and action through a practice of performative visualisation and cartographic representations.

Interested in the depth of radical material heteronomy and the self as highly constructible and therefore de-constructible, HACKLANDER / HATAM create powerful and moving works based on sound.

A contemporary choreographer, dancer and visual artist, Eisa Jocson investigates the labour and representation of the dancing body in the service industry.