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Sharjah Art Foundation (SAF) today announced its autumn 2019 programme, featuring major solo exhibitions of influential artists, as well as the return of annual programmes bringing together artists, curators, scholars and the public to explore new innovations in both film and printed matter.
The foundation’s autumn 2019 season includes a major retrospective of artist Monir Shahroudy Farmanfarmaian (1922–2019) exploring the artist’s six-decade practice across sculpture, jewellery and collage; an exhibition reflecting on the evolution of the Arab Image Foundation and its collections through the work and contributions of its co-founder Akram Zaatari; a survey of paintings and sculptural works by artist Adam Henein; the first solo exhibition in the region of multi-disciplinary artist Bani Abidi which includes two new commissions; and a solo show of 2019 Bonnefanten Award for Contemporary Art winner Marwan Rechmaoui.
In addition, the foundation will present the second exhibition in a series planned to run over four years, Sharjapan, celebrating aspects of contemporary Japanese art, this year focused on performance and sound-based installations; as well as the second edition of the annual Air Arabia Curator in Residence exhibition. The foundation will also mount an exhibition of commissioned works created by the March Project 2019 artists in residence.
Two annual programmes will also return for their second editions in autumn 2019, including FOCAL POINT, Sharjah Art Foundation’s art book fair devoted to presenting printed matter from publishers, artists and collectives across the UAE, the MENASA region and the world; and Sharjah Film Platform, a ten-day celebration of emerging filmmakers from around the region and across the globe.
Additional information on SAF’s autumn 2019 programmes follows below.
Lasting Impressions: Adam Henein
21 September–16 November 2019
Sharjah Art Foundation in collaboration with Sharjah Art Museum presents the exhibition Lasting Impressions: Adam Henein, a survey of the artist’s paintings and sculptures from the 1950s until today. Recognised as one of the most prominent postmodernist sculptors in the Arab world, Henein uses simple lines and abstract forms to create sculptures and modernist figures in a poetic manner. Although he lived in Europe for more than 20 years before returning to Egypt in 1996, he continues to use techniques that draw from his heritage and cultural background.
Akram Zaatari: Against Photography
An Annotated History of the Arab Image Foundation
27 September 2019–10 January 2020
Akram Zaatari: Against Photography reflects on the evolution of the Arab Image Foundation, the Beirut-based foundation dedicated to collecting, studying and disseminating the photographic heritage of Middle East, North Africa and the Arab diaspora through the work and contributions of its co-founder, Akram Zaatari. Zaatari’s interdisciplinary practice combines the roles of image-maker, archivist, curator and critical theorist, often exploring the Lebanese postwar condition, particularly the televised mediation of territorial conflicts and wars.
Over the past twenty years, Zaatari’s work with the Arab Image Foundation has pushed to expand the definition of photography and has explored the importance of the medium to Lebanon and the region at large. This exhibition engages directly with the debates that have coexisted within the Arab Image Foundation about provenance, preservation and authorship in image-making.
Organised by Museu d’Art Contemporani de Barcelona and the National Museum of Modern and Contemporary Art, Korea, in collaboration with Sharjah Art Foundation, this exhibition is curated by Hiuwai Chu (Curator, MACBA) and Bartomeu Mari (Director, MALI, Lima). It was previously presented at the National Museum of Modern and Contemporary Art, Seoul (2018); K21, Kunstsammlung Nordrhein-Westfalen, Düsseldorf (2017); and Museu d’Art Contemporani de Barcelona (2017).
’32: The Rescore
Air Arabia Curator in Residence Exhibition
27 September 2019–5 January 2020
Sharjah Art Foundation in partnership with Air Arabia presents ’32: The Rescore, a research project and exhibition developed by the second Air Arabia Curator in Residence, Bhavisha Panchia. Taking the First Congress of Arab Music, held in Cairo in 1932, as both anchor and point of departure, the exhibition attends to the dis(continuities) of identity, history and culture embedded in music. Instruments, notation, scale and composition are taken as sites of enquiry, addressing ideological and epistemological schisms between differing world views through musical traditions, registers and practices.
The exhibition will feature a range of media, including vinyl records, sound works, video, performance and installation, to show how music is an agent of cultural and political force.
Monir Shahroudy Farmanfarmaian: Sunset, Sunrise
12 October–28 December 2019
Sharjah Art Foundation presents a major retrospective of the prominent Iranian artist Monir Shahroudy Farmanfarmaian (1922–2019) bringing together more than 70 works spanning her six-decade career. Sunset, Sunrise offers a rare opportunity to rediscover the breathtakingly kaleidoscopic nature of Farmanfarmaian’s 1970s sculptures and to encounter drawings, jewellery and previously unseen collages from the 1980s, alongside some of the last drawings the artist ever created.
Encapsulating histories of both East and West, Sunset, Sunrise reflects a life lived between two cultures, as the artist’s early involvement with graphic design and experimental modern abstraction in New York City gave way to a period of intense research into traditional craftsmanship and folk art in Iran’s more remote regions. Western avant-garde principles were maintained by the artist while she delved into Persian mysticism and simultaneously evoked the socio-political Islamic landscape as well as the easily recognisable geometry of Iran’s artistic and architectural heritage. Embedded in this collision of cultures, Farmanfarmaian navigated a path to her own distinct form of rich geometric abstraction.
Sunset, Sunrise is organised by IMMA, Irish Museum of Modern Art, Ireland, in collaboration with Sharjah Art Foundation, UAE. The exhibition is co-curated by Rachel Thomas (Senior Curator: Head of Exhibitions, IMMA) and Hoor Al Qasimi (Director, Sharjah Art Foundation). Previously on view at IMMA from August to November 2018, the exhibition is accompanied by an illustrated catalogue co-published by IMMA and Sharjah Art Foundation.
Bani Abidi: Funland
12 October 2019–12 January 2020
For more than fifteen years, artist Bani Abidi’s work has engaged with questions of personal memory, patriotism and geopolitics through the lens of present-day Pakistan and the larger histories of South Asia. With a wry sense of humour and attention to the performative aspects of daily life, the artist has approached her subject matter through a cast of minor protagonists—real and imagined, human and inanimate—which come to define a place and its culture.
The major survey of Abidi’s works at Sharjah Art Foundation includes well-known video, photography, sound and installation works as well as two new commissions. The Lost Procession (2019) is a video and sound installation that focuses on the persecuted Hazara community, who have relocated from the Pakistani city of Quetta to Germany in recent years. The exhibition will also feature a presentation of objects, prints, books and other materials that reflect on the vitality of the 1990s Karachi art scene, which was formative to Abidi’s development as an artist.
The exhibition is co-curated by Hoor Al Qasimi (Director, Sharjah Art Foundation) and Natasha Ginwala (Associate Curator, Gropius Bau, Berlin).
March Project 2019 Exhibition
12 October 2019–20 January 2020
An exhibition of site-specific commissions in photography, sculpture and installation will be presented as the culmination of this year’s March Project, an annual educational residency programme that provides opportunities for young artists from the region and beyond to research, realise and present site-specific works at Sharjah Art Foundation. During the seven-month residency, March Project participants conduct extensive research through a series of site visits and discussion sessions with the foundation’s professional support.
The March Project 2019 artists are Asma Belhamar, Farah Al Qasimi, May Rashed and Saeed Almadani from the United Arab Emirates, Filwa Nazer from Saudi Arabia and Mario Santanilla from Colombia.
Marwan Rechmaoui: Slanted Squares
2 November 2019–2 February 2020
Sharjah Art Foundation will present the 2019 Bonnefanten Award for Contemporary Art (BACA) exhibition Marwan Rechmaoui: Slanted Squares. The most important award for international contemporary art in the Netherlands, the award granted by the Bonnefanten Museum is a tribute to a living artist with an exceptional oeuvre and demonstrable influence on other artists, exhibition makers and art professionals.
Using industrial materials such as concrete, rubber, tar and glass to create work to investigate the geographical, architectural, cultural dynamics and history of Beirut, Lebanese artist Marwan Rechmaoui’s BACA exhibition brings together three bodies of works which are centred around the course of construction buildings. Rechmaoui takes physical construction sites and the foundations of buildings to document history as well as using them to create metaphors for the processes that take place as part of the archaeology of a city, such as digging, excavating, stabilizing and possibly rebuilding.
The jury for BACA 2019 was led by chair Hoor Al Qasimi (Director, Sharjah Art Foundation), alongside Zeina Arida (Director, Sursock Museum); Stijn Huijts (Artistic Director, Bonnefantenmuseum); Frances Morris (Director, Tate Modern); Suha Shoman (Founder and Chair, Khalid Shoman Foundation and Darat al Funun); and Christine Tohmé (Founder of Ashkal Alwan, The Lebanese Association for Plastic Arts).
Slanted Squares is organised by the Bonnefantenmuseum, Maastricht (NL) and Sharjah Art Foundation, Sharjah (UAE) on the occasion of the Bonnefanten Award for Contemporary Art 2019 (BACA). The exhibition is curated by Zeynep Öz.
FOCAL POINT 2019
14–16 November 2019
Sharjah Art Foundation will present the second annual edition of FOCAL POINT, an annual art book fair dedicated to presenting varied printed matter and products by publishers and artists from across the UAE, the MENASA region and the world, from 14 to 16 November 2019.
FOCAL POINT invites regional and international artists and publishers to present their work individually or within curated sections, accompanied by a public programme of talks, performances, screenings, book launches, open studios and themed educational workshops. Catering to the interdisciplinary nature of publishing, FOCAL POINT offers a broad perspective on art publishing, with independent and alternative publishing practices featured alongside a select number of established publishing houses.
Sharjapan2
23 November 2019–15 February 2020
The second iteration of a four-year initiative with Yuko Hasegawa, Artistic Director of the Museum of Contemporary Art, Tokyo and curator of Sharjah Biennial 11 (2013), Sharjapan2 will focus on performance and sound-based installations that imagine new ecologies of nature and materiality. Reflecting the links between individual agency and collective organism-like relationality, Yuko Mohri's project will contain a group of "self-playing" readymades that, as in her other works, convey intangible energies in the everyday. Elsewhere, a live installation by sound artist Tomoko Sauvage will centre an amplified sound recording of a large block of slowly melting ice, centring the oft-marginalized experiences of hearing and listening alongside the more conventionally-known visuals of the looming threat of climate change.
Musical performances will include traditional Japanese drumming by Hayashi Eitetsu that positions itself as both highly technical and sophisticated, and yet also expressing the fundamentally visceral, physical and primal. Sharjapan2 will also feature an Android Opera by Keiichiro Shibuya and conducted by a humanoid AI dubbed "Alter 2." Titled "Scary Beauty," this performance will explore the relationships between terror and beauty, and the nature of humanity's fear of the unknown future where we may be rendered unnecessary.
In introducing unique Japanese philosophies of animism in contemporary art, this selection considers the past, present and future of non-human realms.
Sharjah Film Platform (SFP)
December 2019
Sharjah Art Foundation will present the second edition of the Sharjah Film Platform from 11 to 21 December 2019 at Sharjah Art Foundation’s open-air Mirage City Cinema and the nearby Al Hamra Cinema, Sharjah.
Sharjah Film Platform is an annual Sharjah Art Foundation initiative launched in 2018 as a resource to support filmmaking in the United Arab Emirates, the region and beyond. In addition to the film programme, SFP supports two other core components: a public programme featuring workshops and discussions, and the Short Film Production Grant, which results in the grant recipients’ films. Together, the three-pronged platform continues the foundation’s longstanding commitment to film programming, commissions and productions, and to the support of emerging and established filmmakers, film producers and critics.