Collection

DAYS, I See What I Saw and What I Will See explores the notion of producing a continuous representation of space and a discontinuous representation of time – at the same time.

Death at a 30 Degree Angle is a multimedia installation composed of video, architectural drawings and clay maquettes.

Six sheets of hand-cut paper depicting the text of The Universal Declaration of Human Rights in Arabic.

Dictums 10:120 is a multipart project that involves the composition and performance of a qawwali song.

Wael Shawky began Dictums 10:120, a multipart project that involves the composition and performance of a qawwali song, during the Witness Programme, an artists’ residency at Sharjah Biennial 10.

Dilbar is a portrait of a city builder, one of a million Bangladeshi workers currently living in the United Arab Emirates.

In Domestic Tourism II, Maha Maamoun explores how the ‘timeless’ image of the Egyptian pyramids - projected by the tourism industry - can be challenged by reworking representations of these historic monuments into urban narratives that highlight their complex political, social and historical dimensions.

Khan presents a glass sculpture that combines the sleek and minimal form of a column with a rough, maladroit shape.