Collection

In Haunted House, empty French colonial houses and dilapidated ruins appear to emerge out of the cliffs where they once stood overlooking the sea.

A 2013 painting by Yayoi Kusama.

This work advances an idea of painting as an interactive medium able to channel Google searches, social networks and spiritual phenomena.

As part of her series ‘Heritage Studies’ (2015-), based on existing museum objects, artworks and elements from the past, the work does not always bear physical resemblance to their historical referents, it shares similar sets of concerns.

As part of her series ‘Heritage Studies’ (2015-), based on existing museum objects, artworks and elements from the past, the work does not always bear physical resemblance to their historical referents, it shares similar sets of concerns.

As part of her series ‘Heritage Studies’ (2015-), based on existing museum objects, artworks and elements from the past, the work does not always bear physical resemblance to their historical referents, it shares similar sets of concerns.

In 1974, Italian designer Enzo Mari published 'Proposta per un’ autoprogettazione' (Proposal for Self-Design), a spiral-bound booklet containing instructions for building basic chairs, tables and shelves.

Images migrate, often without much luggage. Take this hole in the ground: if the image were in a Texan newspaper, the hole would tunnel through to another, lawless place. What is its promise here?

Filmed in an area close to Liu Wei’s studio on the outskirts of Beijing, the artist documents the ‘new work’ of local farmers who have been forced to comb through suburban domestic refuse everyday in exchange for meager compensation to supplement their falling agricultural income.

Huguette Caland’s interdisciplinary practice traverses art, fashion and design. She was arguably the Arab world’s first abstract artist to address the limits and possibilities of the representation of the female body and the politics of beauty and femininity.