Collection

Video
14 minutes 42 seconds

These photographs show the Pakistani caretaker of a dilapidated cinema in the town of Khorfakkan, Sharjah.

Ahmad Ghossein’s work The Fourth Stage (2015) weaves a complex and unlikely union of illusion and myth between three worlds of which he is concurrently a part: cinema, magic and the changing landscape of southern Lebanon.

The Goodness Regime is a creative documentary exploring the image of Norway as a country of peace and benevolence.

In her meticulously detailed cartographic drawings, Tiffany Chung uses bright, cheerful colours that belie her often serious and traumatic subject matter: the aftermath of natural disasters such as earthquakes and floods and the psychic and physical traces of war and political violence.

Commissioned for SB12, this work comprises a four-channel video installation driven by an experimental audio track.

Akram Zaatari’s videos, films, photographic installations and publications excavate past landscapes and reorganise the finds in his own present narratives.

For Sharjah Biennial 9, Hiroyuki Masuyama recreated a series of lost paintings by 19th century German Romantic landscape painter Caspar David Friedrich.

Gargash’s photographic works use interiors as frameworks for revealing culture and identity in the UAE in the context of rapid exterior change, while also documenting domestic interiors as they are now.

In her meticulously detailed cartographic drawings, Tiffany Chung uses bright, cheerful colours that belie her often serious and traumatic subject matter: the aftermath of natural disasters such as earthquakes and floods and the psychic and physical traces of war and political violence.

The Three Disappearances of Soad Hosni is an attempt to tell the story of Soad Hosni, one of Egypt’s most famous film stars who starred in eighty-two feature films between 1959 and 1991.