Overview
The process of writing Chinese ideograms, which originated over two thousand years ago, is governed by strict rules. Rather than follow these standardised patterns, however, Yu-ichi Inoue sought to express each character’s primitive meaning, turning it into a work of art with the expressive energy of his brush. While they depart from convention, his works are still imbued with the spirit of the ancient ideograms, which were based on forms in the natural world.
2013
This project was part of Sharjah Biennial 11
Artwork Images
Jo (Left); Gen (Right)
Yu-ichi Inoue
1968—1985
Ink on Japanese paper
143 x 182 cm (Left)
114 x 157.6 cm (Right)
Installation view
©UNAC TOKYO
Photo by Alfredo Rubio
Related
Inoue, Yu-ichi
Yu-ichi Inoue studied calligraphy with Sokyu Ueda.
March Meeting 2013: Towards a New Cultural Cartography
This publication takes as its starting point Yuko Hasegawa’s curatorial concept for Sharjah Biennial 11: Re:Emerge – Towards a New Cultural Cartography and March Meeting 2013.