Overview
On one side, the heavily worked paisley and floral design offers a scene of luxurious detail. The backside tells a different story – staggered and unbound by the pin’s head, sharp tips protrude from the red wool to reveal a hazardous surface. The work draws attention to what Khalid views as a disparity between the global consumption of shawls from this region and the lack of attention placed on its geopolitical realities.
April 2011
This project was part of Sharjah Biennial 10
Commissioned by Sharjah Art Foundation
Artwork Images
Kashmiri Shawl
Aisha Khalid
2011
Pashmina scarf and gold plated steel pins
129.54 x 256.54 cm
Image courtesy of the Artist
Commissioned by Sharjah Art Foundation