Publications

This Arabic Edition, of Ibrahim El-Salahi’s Prison Notebook, published by the Sharjah Art Foundation and the Museum of Modern Art, comprises a facsimile of the Prison Notebook; excerpts of Ibrahim El-Salahi’s personal memoirs; a contextualizing essay by art historian Salah Hassan that addresses the social and political milieu in which it was produced; and a contemporary commentary by the artist.

This English Edition, of Ibrahim El-Salahi’s Prison Notebook, published by The Museum of Modern Art and the Sharjah Art Foundation, comprises a facsimile of the Prison Notebook; an English translation of its prose; a contextualizing essay by art historian Salah Hassan that addresses the social and political milieu in which it was produced; and contemporary commentary by the artist.

Abu Jildeh and Al Armeet is a comic book published in Arabic by the Ma’touq Collective on the history and experiences of early Palestinian insurgents.

A film production crew mysteriously disappears in an Arabian Gulf city while scouting for locations for a film based on Palestinian author Ghassan Kanafani’s novel.

A novel by artist Noor Abuarafeh

This publication accompanied The Khartoum School: The Making of the Modern Art Movement in Sudan (1945 – present) exhibition. It is a collection of previously published essays from the early 1970s by the artist and writer Abdalla Ahmad Bashir, also known as Abdalla Bola, as weekly episodes in the pages of AlAyam newspaper.

A collaboration between poet Cristiana de Marchi and artist Hassan Sharif.

A book of artist instructions that anyone can use to make art.

Muzmin is an Arabic-edition of Chimurenga's Chronic that was produced and commissioned for Sharjah Biennial 12.

Thinking What’s Thought-Provoking! is a new book series, consisting of five publications, edited by Jalal Toufic and published by Sharjah Art Foundation.

Haegue Yang: An Opaque Wind documents a site-specific installation of the same title commissioned by and exhibited at Sharjah Biennial 12: The past, the present, the possible in 2015.

Accompanying Wael Shawky's exhibition at the Serpentine Gallery, this book contains three short stories authored by Mohamed Mustagab and drawings by Shawky.

In Ramallah, Running represents Guy Mannes-Abbott's personal encounter with Palestine, interweaving short, poetic texts and exploratory essays.

A book that traces the unlikely convergence between Iran and Poland’s economic, social, political, religious and cultural histories.

In this publication project for Sharjah Biennial 11, Geeta Kapur and Kavita Singh discuss how the courtyard has existed as a place for multiple narrative possibilities.