Collection

Lydda Airport is an installation with short film that takes place at the eponymous location sometime in the mid to late 1930s and a sculpture.

In Männergeschichten, or Male Stories, a man sits for a shave in a Turkish barbershop. A caged bird chirps and local music plays in the background.

Rizzi follows second-generation emigrants in Paris as they grapple with feelings of displacement.

This work is part of a group of drawings that functions as a liaison between the conception of an idea and the chase to its fruition.

Peace is not what you believe explores how we hear and understand the world and attempts to open a new space where we can move freely.

The Power Station series records the interiors of two neighbour buildings, a power station and a residence.

In 2007 the ICA invited 26 artists from around the world to make proposals for a memorial to the Iraq War.

Larsen’s work for Sharjah Biennial 9 is a video in which Indian workers based in Sharjah and their families in India are projected onto adjacent screens.

Almagul Menlibayeva and Bahar Behbahani explore the dialogue between two ancient cultures that border the Caspian Sea on the crossroads of the Middle East and Central Asia.

In the video, Sarah Abu Abdallah is seen painting the shell of a wrecked car with light pink paint. This work also includes the wrecked car, painted pink.

A film crew disappears in Sharjah while scouting locations for a film based on Ghassan Kanafani’s 1963 novel Men in the Sun.