People

In 1995, Sejima and Nishizawa founded SANAA an Architectural Practice.

Karin Sander’s practice draws attention to the complex relationships between artworks, institutions and audiences through the innovative use of installation, sculpture, photography, new technologies and other media.

Working mainly in film, Larissa Sansour also produces installations, photos and sculptures.

Mario Santanilla’s practice moves across mediums, rummaging through different layers of space while questioning the conventions of photography, video, sound and installation.

Ann Sappenfield is a designer and illustrator based in New York City.

Hrair Sarkissian’s photographs reflect on personal memories, using subjectivity as a way to navigate stories that official histories are unable to tell. Using traditional documentary techniques in large-scale works, he engages the viewer in a profound consideration of what lies behind the surface of the images, thereby re-evaluating larger historical or social narratives.

Ampannee Satoh’s work examines cultural identity, nation state, faith and individuality by bringing focus to traditional subjects in the Pattani region of Thailand, her homeland.

Artist and filmmaker Aura Satz works in film, sound, performance and sculpture in order to conceptualise a distributed, expanded and shared notion of voice.

Mona Saudi is widely recognised for her stone sculptures, which explore the relationship between natural material and modern form.

Matt Saunders merges photography, painting and rotoscope animation to create uniquely processed and multilayered works that evoke cinematic iconography and celluloid history.

Master calligrapher, Samir Sayegh takes Arabic letters beyond the formal aesthetic of Arabic calligraphy.

In video, photography, sculpture and installation, Zineb Sedira explores notions of gender, language, national identity and modernity.

Conceptual artist Bogosi Sekhukhuni works from research to explore cultures and histories of technology.  

Massinissa Selmani’s work often presents montages of drawings and images or short animations in which he mingles humour, irony and a sense of revolt.