Sharjah Biennial 16

From her earliest works, Jac Leirner has worked with found objects, ready-mades and everyday detritus.

Since 2002, Richard Ibghy and Marilou Lemmens have developed a research-based practice that includes the production of art works, contributions to publications and lectures as well as frameworks for exhibitions.

Tonico Lemos Auad uses a wide range of materials to depict the transience of life through works that are often site-specific and impermanent in nature.

Is a historian of modern and contemporary art and theory of the Middle East and is Assistant Professor of Global Modern Art in the History of Art Department at the University of California, Berkeley.

The interplay between perception and imagination, belief and desire is the driving force behind Gabriel Lester’s practice.

Isabel Lewis works on the aesthetics of the experiential, creating spaces of sociable encounter between human and nonhuman agents in the format she has named the ‘hosted occasion’.

Artist and curator Peter Lewis focuses on researching the work of non-Western artists and leads interdisciplinary courses in art, design, architecture and moving image.

Ranging from the thoroughly composed to the freely improvised, the music of Lukas Ligeti draws upon downtown New York experimentalism, contemporary classical music, jazz, electronica and traditional world music.

Lim was the recipient of the 1st Media Art Korea Award (2010) and the Hermés Korea Foundation Art Prize (2007).

Laura Lima has put forth a body of work that defies standard categories such as performance, sculpture and painting.

Candice Lin's work engages in notions of gender, race and sexuality, drawing from post/de-colonialism, citizen science, anthropology, feminist and queer theory.

Nancy Lin is a Klarman Postdoctoral Fellow in the Department of History of Art and Visual Studies at Cornell University who specialises in modern and contemporary Chinese art and architecture.

James Lingwood has been Co-Director of Artangel with Michael Morris since 1991.

My work is opposed to views that transmute into overviews and prejudices by forgetting or neglecting the complexity and the unique character of a context, region and situation. It is an attempt to express the impossibility and the uselessness of defining a point of view. Nadia Kaabi Linke