Sharjah Biennial 16

Lubaina Himid’s artistic and curatorial practice illuminates the omissions and hypocrisies of western colonial histories, centring the contributions of marginalised figures, particularly Black individuals, to cultural life in Europe.

Doubt and uncertainty are recurring themes in Carsten Höller’s art, which often takes the form of laboratory situations, participatory sculptures and 'influential' environments to produce unique experiences that can only be attained through personal exposure.

One of the first to introduce modern European architectural forms to Japan, Sutemi Horiguchi was an expert in sukiya-zukuri, a traditional Japanese style of residential architecture introduced in the late 16th century during Japan's Sengoku Period.

Khaled Hourani is an artist, writer and curator.

In her role as Industry Inclusion Executive at British Film Institute (BFI), Melanie Hoyes advocates for increased access and equity in the UK film sector.

Louise Hui-Juan Hsu works in the field of contemporary art and earned a Master degree in Art History from the Free University, Berlin.

Dale Hudson is interested in postcolonial and transnational film and digital media, media and environmentalism, and film and digital media in the Gulf.

Zhang Hui desires to make work that questions reality.

Hasan Hujairi’s works explore the intersection between histories on the verge of loss, the conditionality of music and art pedagogy, and the historiographies of outsiders.