Hania Mroué is a film programmer and distributor.

Neo Muyanga is a composer, musician and librettist who tours widely, both as a solo performer and in various bands.

Chika Okeke-Agulu is an artist, critic and art historian who specialises in Indigenous, modern and contemporary African and African Diaspora art history and theory.

Curator and writer, Zeynep Öz was the co-founder and director of the Spot Production Fund, Istanbul (2011–2017)

Claudia Pagès’ practice addresses the effects of language, organisation and popular culture on social relationships and community structures.

Sharmini Pereira is an independent international curator.

Filipa Ramos is a writer, editor and curator whose research focuses on the relations between film and visual art.

Uzma Rizvi is an anthropological archaeologist and cultural archaeologist who specializes in the third millennium BCE, creative placemaking and critical heritage studies.

Abir Saksouk is an architect and urbanist who has conducted research on the history of informal suburbs, the social production of shared spaces in the city and housing rights in Beirut.

Working mainly in film, Larissa Sansour also produces installations, photos and sculptures.

In video, photography, sculpture and installation, Zineb Sedira explores notions of gender, language, national identity and modernity.

Martine Syms uses video and performance to examine representations of blackness and its relationship to American situation comedy, black vernacular, feminist movements and radical traditions.

Architect Yoshiharu Tsukamoto is the co-founder (with Momoyo Kaijima) of Atelier Bow-Wow (est. 1992), a Tokyo-based firm working in fields ranging from architectural design to urban research and the creation of public spaces based on the theory of behaviorology.

Alper Turan is co-founder and curator of Das Art Project, a curatorial collective that aims to work outside ‘white cube’ gallery spaces.