Lawrence Abu Hamdan is a ‘private ear’, an artist who investigates sound.

Rich in historical references as well as traditional and modern motifs from both Eastern and Western art, Khadim Ali’s drawings and paintings tell stories about the loss of his own cultural heritage in Bamiyan, Afghanistan.

Allora & Calzadilla’s formally unique artistic language is deeply informed by a critical and visionary approach towards meaning-making.

Caline Aoun works within the frames of urbanism, architecture, print and digital advertising space to produce pieces that playfully increase, invert and suspend environmental noise in a series of measured experiments.

Cory Arcangel employs a wide range of mediums to explore how video games and software can rapidly formulate new communities and traditions.

Marwa Arsanios is an artist, filmmaker and researcher who reconsiders the Middle Eastern politics of the mid-twentieth century from a contemporary perspective.

Leo Asemota is a living artist.

Encompassing video, film, collage and photography, Şirin Bahar Demirel’s work examines mis/displacement, home, memory and their relationship with places and objects.

Focusing on ontological conflict in convergence with indigenous, feminist, ethnic, environmental and social justice studies, Aline Baiana’s work reveals the importance of uncovering other histories.

With the exhibition format as his medium, Alessandro Balteo-Yazbeck’s hybrid practice incorporates the typical activities of a researcher, archivist, historian and curator.

Shiraz Bayjoo’s practice traverses installation, photography, painting, video, text and performance to elucidate forgotten histories that contain multiple layers of meaning and visual culture.

Placing herself at the centre of her creations, painter Semiha Berksoy did not separate life and art.

Hannah Black is an artist and writer working across installation, video, performance and text.

Mohamed Bourouissa creates images, installations and videos that explore power relations, displays of masculinity and societal tensions, often by referencing art historical imagery.