Sharjah Biennial 16

Art historian Nina Tonga is Curator Contemporary Art at Museum of New Zealand Te Papa Tongarewa.

topsoil is a transnational curatorial and research collective formed in London in 2017 by Sofía Villena Araya, Deniz Kirkali and Amelie Wedel.

Tension between text and image plays a central role in Ana Torfs’s work, along with related processes of visualisation and translation.

Graziella Rizkallah Toufic received her MA in Film and Video Studies in 2007.

Jalal Toufic is a thinker and a mortal to death.

Toleen Touq is an independent cultural operator based in Amman, Jordan.

Is associate professor of Political Science and History at the American University of Beirut, as well as a journalist and editor of the quarterly journal Bidayat.

Trampoline House is a volunteer-run community centre in Copenhagen for asylum seekers.

Artist and filmmaker Kerry Tribe considers each new project as an experiment, exploring complex subjects through a wide range of highly-restrained forms.

Caecilia Tripp’s immersive participatory performances, film installations, sound sculptures, photography and large-scale score drawings are deeply rooted in what Edouard Glissant calls the ‘poetics of relation’.

Charwei Tsai’s work is grounded in a sense of Taiwanese identity.

Wu Tsang’s artistic practice explores states of connectedness and in-betweenness; often this fluidity manifests as collaboration or the merging of disciplines such as performance, moving image, sculpture and installation.

Architect Yoshiharu Tsukamoto is the co-founder (with Momoyo Kaijima) of Atelier Bow-Wow (est. 1992), a Tokyo-based firm working in fields ranging from architectural design to urban research and the creation of public spaces based on the theory of behaviorology.

In her work with archives, Mila Turajlić researches the intersection of personal and national memories, always seeking to reactivate forgotten histories.

Mila Turajlić is a filmmaker and visual artist whose documentary works draw on a combination of oral histories, documentary archives, fiction films and found footage to fabricate a new reflexive language that confronts memory and ruins with the disappearing narratives of history.