Sharjah Biennial 16

Ivana Franke’s work consists mostly of installations and involves the use of ambiguous visual phenomena.

Franziska Pierwoss and Sandra Teitge have been staging performances related to historical meals since 2014.

Based on critical intimacy, permanent displacement and contextual transfers, Peter Friedl’s practice emphasises the friction between aesthetic and political awareness.

Yang Fudong shoots on 35-mm film, and his style recalls the black-and-white films of the 1930s and 1940s, as well as later film noir.

Simon Fujiwara spent his childhood in Japan, England, Spain and Africa. His dense dramas explore real-life narratives about personal and family relationships, politics, architecture and history through a combination of performance, video, installation and short stories.

A transdisciplinary artist of enormous breadth, Coco Fusco confronts systems of thinking that establish accepted power structures and cultural histories with a focus on Latin America and Cuba.

Futurefarmers are an international collective of artists, activists, farmers and architects who work together to animate the possible.

Meschac Gaba’s expansive practice examines architectural structures, systems of trade and perceptions of African identity and art.

Rene Gabri is interested in the complex mechanisms which constitute the world around us.

Regina José Galindo has exhibited widely throughout the Americas and Europe.

An artist and performer, Nikolaus Gansterer links drawing, thinking and action through a practice of performative visualisation and cartographic representations.

Mario García Torres’s practice covers a combination of film, photography, sound and text to expose history and manufactured nature.

Consisting of a 'delegation' of eight Artists, the GCC makes reference to the English abbreviation of the Gulf Cooperation Council, an economic and political consortium of Arabian Gulf nations.

Daniele Genadry considers the construction of visual experience through memory and movement.