Sharjah Biennial 16

Traversing art, design and fashion, Huguette Caland’s interdisciplinary practice encompasses both the figurative and the abstract.

CAMP is a collaborative studio founded in Mumbai in 2007 by Ashok Sukumaran and Shaina Anand.

Maria Magdalena Campos-Pons’ body of work grapples with the coordinates of diasporic identity formation: migration, displacement, collective memory, spirituality and gender.

Guillaume Cassar creates a unique form of artist's book using small pieces of paper gathered from the street.

Romeo Castellucci founded the Socìetas Raffaello Sanzio in 1981 with his sister Claudia and his wife, the playwright Chiara Guidi.

Beatrice Catanzaro is an artist, researcher and lecturer. In 2010, she co-founded Bait al Karama, a social-cultural centre in the Old City of Nablus, Palestine.

Marie-Hélène Cauvin’s innovative paintings and prints explore imaginative spaces, both real and symbolic, and her recent work explores themes such as violence and insecurity in contemporary societies.

Tony Chakar is an architect, artist and writer whose work incorporates literature, philosophy and theory.

Eddie Chambers is a Professor in the Department of Art and Art History, University of Texas at Austin (2016–ongoing). His work centres primarily on African American art and African Diaspora art history.

Among the first artists to be educated in Korea after its liberation from Japanese occupation, Chung Chang-Sup was part of a generation of artists who transformed the future of contemporary art in Korea.

Across her collaborative and individual practice, artist Yaminay Chaudhri, uses writing, digital media and engagement to process architectures of aspirations in Karachi.

Eric Chen’s work straddles the line between art and architecture, body and sensation.

Known for his simulations, Ian Cheng draws on principles of video game design and cognitive science to create virtual ecosystems populated with characters governed by competing models of artificial intelligence (AI).