Tamara Barrage lives and works in Beirut. She received an MA in product design from ALBA, Beirut (2011) and an MA in contextual design at Design Academy Eindhoven, the Netherlands.

Kemi Bassene is a photographer, musicologist and cultural critic who explores fragments of African cultures to identify intersections with cultures outside Africa and ways Africans are viewed internationally.

Encompassing photography, video, print and installations, Fatma Belkıs’ work offers new perspectives on the connections between humans and non-humans, recent history and geological time, and politics and the natural environment.

Sabrina Belouaar lives and works in Paris. She currently studies at the École Supérieure des Beaux-Arts de Marseille.

Inspired by cosmology, science fiction and existentialist theatre and literature, Abdelkader Benchamma uses varied techniques and media to explore the constructed aspect of reality.

The research-oriented practice of artist, writer and video essayist Ursula Biemann has centred on migration, mobility, technology, gender and ecology.

Nadine Bilong is a curator and arts professional who focuses on performance art.

Ranging from multimedia and experimental video to large-scale sculptural installations, Dineo Seshee Bopape’s work embodies powerful sociopolitical notions of memory, narration and representation.

Seloua Luste Boulbina is a philosopher and theorist of decolonisation who is interested in the political, intellectual and artistic dimensions of colonialism and postcolonialism.

Mohamed Bourouissa creates images, installations and videos that explore power relations, displays of masculinity and societal tensions, often by referencing art historical imagery.

Madison Bycroft lives and works between Rotterdam and her hometown of Adelaide, Australia.

Brigitte Caland is a professional cook trained in France with Marc Meneau (L’Espérance), Philippe Legendre (Le V) and the Pourcel Brothers (La Maison Blanche).

Mariana Castillo Deball explores the ideologically constructed conditions under which artefacts appear in today’s culture as well as the role these objects play in the construction of identity, culture and history.

The work of Sara Sejin Chang (Sara van der Heide) consists of political and poetic interventions, drawings, performances and films, through which she proposes a more inclusive modernity.

Eric Chen’s work straddles the line between art and architecture, body and sensation.