Sharjah Biennial 16

CAMP is a collaborative studio founded in Mumbai in 2007 by Ashok Sukumaran and Shaina Anand.

Maria Magdalena Campos-Pons’ body of work grapples with the coordinates of diasporic identity formation: migration, displacement, collective memory, spirituality and gender.

Melissa Carlson’s recent work examines the development of modern and contemporary art in the late twentieth and early twenty-first century under the postcolonial censorship regime in Myanmar.

Guillaume Cassar creates a unique form of artist's book using small pieces of paper gathered from the street.

Romeo Castellucci founded the Socìetas Raffaello Sanzio in 1981 with his sister Claudia and his wife, the playwright Chiara Guidi.

Mariana Castillo Deball explores the ideologically constructed conditions under which artefacts appear in today’s culture as well as the role these objects play in the construction of identity, culture and history.

Beatrice Catanzaro is an artist, researcher and lecturer. In 2010, she co-founded Bait al Karama, a social-cultural centre in the Old City of Nablus, Palestine.

Marie-Hélène Cauvin’s innovative paintings and prints explore imaginative spaces, both real and symbolic, and her recent work explores themes such as violence and insecurity in contemporary societies.

Carolina Caycedo is a multidisciplinary artist known for her performances, videos, artist’s books, sculptures and installations that examine environmental and social issues. Her work contributes to the construction of environmental historical memory, as a fundamental element for non-repetition of violence against human and non-human entities.

Tony Chakar is an architect, artist and writer whose work incorporates literature, philosophy and theory.

Eddie Chambers is a Professor in the Department of Art and Art History, University of Texas at Austin (2016–ongoing). His work centres primarily on African American art and African Diaspora art history.

Among the first artists to be educated in Korea after its liberation from Japanese occupation, Chung Chang-Sup was part of a generation of artists who transformed the future of contemporary art in Korea.

The work of Sara Sejin Chang (Sara van der Heide) consists of political and poetic interventions, drawings, performances and films, through which she proposes a more inclusive modernity.